Lectures-Vorträge-Ponencias-Palestras
09/07/2025
Why the UFA had a cinema in Mexico City. HoMER 2025 Conference, Galatasaray University, Istanbul, Turkey.
21/06/25
CANOA and the New Latin American Cinema (Felipe Cazals, MX 1976), Kino Lichthaus, Weimar Germany.
02/12/2024
Introduction to Männer ohne Beruf (Harry Piel, D 1929), Zeughauskino, Berlin, Germany.
29/11/2024
Cinema History: Eine Einführung. [Cinema History: An Introduction] Bauhaus-Universität Weimar, Weimar, Germany.
27/11/2024
Von kolonialem Kitsch zum Traumschiff: Deutsche Kolonialgeschichte in Film und Fernsehen. [From Colonial Kitsch to “Love Boat”: German Colonial History in Film and Television], Museum Lichtenberg, Berlin, Germany.
10/11/2024
Introduction: Valley of Souls — Tantas almas (Nicolás Rincón Gille, COL/BRA/B 2019), City 46: Kommunalkino Bremen e.V., Germany.
22/10/2024
“’Un espectáculo cautivador’: La representación de la historia colonial alemana en el cine y la televisión [‚A captivating spectacle‘: The Representation of German Colonial History in Film and Televisión], Institut für Romanistik, Justus Liebig University Giessen, Germany.
29/09/2024
Introduction to The Life of the Others (Floria Henckel von Donnersmarck, D 2006), Festival Internacional de Cine, Itagüí, Colombia.
10/07/2024
Unpopular – popular. Franz/Francisco Eichhorn: Explorations of a transnational film career
HoMER Conference, 10 – 12 July 2024, ESPM, Rio de Janeiro/ UFF, Niterói, Brazil.
21/06/2024
From Germany to Brazil and Back: Franz Eichhorn. Mapping German Film Exile. A Transnational Perspective, 20-22 June 2024, Johannes Gutenberg-University Mainz, Germany.
12/06/2024
El redescumbrimento de la vida cotidiana: los firmantes de paz en los documentales colombianos. Latin American Studies Association (LASA) 2024, Bogotá, Colombia.
21/05/2024
Mittendrin, aber kaum präsent: Eine kleine Geschichte des lateinamerikanischen Films [In the Thick of it, but Barely Present: A Brief History of Latin American Cinema]. Seminar für Kulturgeschichte, Friedrich-Schiller-Universität Jena, Germany.
07/12/2023
Introduction to Esta Noite Encarnarei no Teu Cadáver (José Mojica Marins, BR 1967), Royal Scandal Cinema, Baden, Switzerland.
25/06/2023
A que horas ela volta? Wasser und Anthropozän im lateinamerikanischen Spielfilm [A Que Horas Ela Volta? Water and the Anthropocene in Latin American Fiction Films], Bauhaus Universität Weimar/Kino Lichtspiel, Weimar, Germany.
15/06/2023
Diskutant anlässlich der Premiere des Films Tanja – Tagebuch einer Guerillera (M. Mettelsiefen, D 2023). [Discussant on the occasion of the German premiere of the film Tanja – Tagebuch einer Guerillera (M. Mettelsiefen, D 2023)]. Kino City46, Bremen Germany.
07/06/2023
Zurück ins europäische Haus: Deutsche Kolonialgeschichte in Film und Fernsehen der 1960er Jahre [Back into the European House: German Colonial History in Film and Television of the 1960s], Viadrina Institut für Europa-Studien (IFES), Europa-Universität Viadrina, Frankfurt/Oder, Germany
31/05/2023
Das kolumbianische Kino: Kein Mauerblümchen [Colombian Cinema. No Wallflower]. Kino Rex/Lichstpiel, Bern, Switzerland.
13/05/2023
Krieg, Frieden und polarisierte Erinnerung: Das kolumbianische Kino auf dem Weg zu seiner neuen Identität [War, Peace and Polarized Memory: Colombian Cinema on the Way to Its New Identity]. 27. Internationales Bremer Symposium zum Film. Audiovisuelle Erinnerung, Lateinamerika und das Kino. Bremen, Germany
09/03/2023
El Ardor, Introducción. Antropo-Cine: Ciclo de Cine sobre el Antropoceno, Maria Sibylla Merian Center for Advanced Latin American Studies in the Humanities and Social Sciences (CALAS)/Museo de Ciencias Ambientales, Auditorio de la Biblioteca del Estado de Jalisco „Juan José Arreola“, Guadalajara, México.
04/11/2022
El Antropoceno como espacio fílmico en el cine latinoamericano. Reflexión I: La piscina en el Antropo-Cine. Taller de Autores. Maria Sibylla Merian Center for Advanced Latin American Studies in the Humanities and Social Sciences (CALAS), Guadalajara, Mexico.
28/10/2022
¿Quién informó al ratón que hoy hay rodaje? Antropoceno y el lugar de rodaje,
Plataforma para el Diálogo: Paisajes y territorios en el Antropoceno. Perspectivas literarias y culturales en las Américas, CUCSH Belenes, Universidad de Guadalajara, Mexico.
08/07/2022
Screening with post-film discussion: Taiwo Shango: Der 2. Tag nach dem Tod [The Second Day after the Death] (BR, WDR, NTS, 1965), Africa Multiple Cluster of Excellence Annual Conference 2022, University of Bayreuth, Germany.
22/04/2022
¿Qué tiene que ver el flan con el cine en Europa? Cátedra Abierta, Facultad de Artes y Humanidades, ITM Medellín, Colombia.
03/12/2021
Cine educación y la tarea política de los festivales de cine, Festival Internacional Audiovisual MAMBE 2021, Universidad de la Amazonia, Florencia/Caquetá, Colombia.
16/10/2021
Tier- und Jagdfilme im kolonialen Kino und ihr Nachleben [Animal- and Hunting films in colonial cinema and their afterlife], Koloniale Tiere? Tierbilder im Kontext des Kolonialismus, Kunstmuseum Bern, Switzerland.
22/06/2021
Transnationale Filmbeziehungen: Deutschland-Lateinamerika [ Transnational Film Relations: Germany – Latin America] (online), Lateinamerika Institut, FU-Berlin, Germany.
26/05/2021
Transnational Cinema History: Ufa’s Expansion in Latin America, HoMER 2021 Conference (online), Maynooth University, Ireland.
18/12/2020
História do Cinema Transnacional: Quando um Filme Alemã insultou o Brasil [History of Transnational Cinema: When a German Film insulted Brazil] (online). Núcleo de Estudos de História e Cinema – NEHCINE/UFSC, Florianópolis, Brazil.
01/07/2020
La Ufa en América Latina [The Ufa in Latin America], Grupo de tesistas en Relaciones Internacionales (online). Universidad Nacional de Colombia, Bogotá, Colombia.
15/02/2020/
Memoria, identidad y cine: Relaciones difíciles [Memory, identity, and film: difficult relationships], Regional Chapter of the Baden-Württemberg-STIPENDIUM, Bogotá, Colombia.
28/10/2019
Cine entrecruzado: Escándalo y Diplomacia entre Berlín y América Latina [Entangled History: Scandal and Diplomacy between Berlin and Latin America]. Grupo de Estudios sobre la Guerra, University of Buenos Aires, Argentina.
11/10/2019
K.M. Eckstein: Uma biografia cinéfila entre a televisão alemã e o Cinema Novo [K.M. Eckstein: A biography between German television and the Cinema Novo]. XXIII Encontro Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) 2018, Porto Alegre, Brasil.
02/10/2019
A dónde va el cine colombiano: Reflexiones entre las perspectivas nacional y transnacional [Where does the Colombian cinema go: Reflections between national and transnational perspectives]. XIX Congresso Colombiano de Historia. Armenia, Colombia.
25/9/2019
Panel & short film screening: History of colonial and militant film (together with Tom Rice, Maria do Carmo Piçarra, Sana Na N’Hada). Everything passes, except the past, Goethe Institute Lisbon, Portugal.
06/09/2019
El documental y la paz: memoria colectiva y la ironía
III Coloquio Cine al Aula 2019. Universidad Central -Sala fundadores- Cinemateca Distrital de Bogotá, Colombia.
15/08/2019
Distrito Salvaje: Género e identidad nacional [Wild District: Genre and national identity]
Primer congreso audiovisual rural y comunitario: Identidades y territorio. San Bernardo, Colombia.
26/06/2019
Voluntary associations as cinema audiences. HoMER 2019 Conference, University of the Bahamas, Nassau, The Bahamas.
14/05/2019
Frauenbilder und –Geschichten im Lateinamerikanischen Kino [Women’s images and histories in Latin American cinema]. Johannes Gutenberg University Mainz, Germany.
11/05/2019
Verklärte Erinnerung: Die deutsche Kolonialherrschaft in Film- und Fernsehproduktionen [Transfigured Memory: German Colonial Rule in Film and Television Productions]. Bauhaus-University Weimar, Germany.
22/11/2018
Conversatorio: Estéticas del Conflicto y la resistencia: visiones de dolor y esperanza. [Discussion: Esthetics of the conflict and the resistance: visions of pain and hope], German-Colombian Peace Institute – CAPAZ, Bogota, Colombia.
25/10/2018
A UFA no Brasil: cinemas, empresários e audiências (The UFA in Brazil: cinemas, entrepreneurs, and audiences). XXII Encontro Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) 2018, 23-26 de outubro, Goiânia, Brazil.
18/09/2018
La controversia germano-brasileña sobre DER WEG NACH RIO, “El camino a Río” (1931) de Manfred Noa: por una historiografía del cine transnacional. II Coloquio Cine al Aula. Cinemateca Distrital/Universidad Agustiniana, Bogotá, Colombia.
07/06/2018
Consumption of “local” and “foreign” television products through Netflix (together with Enrique Uribe-Jongbloed, University Externado, Bogotá, Colombia). International conference on Transnational Television Drama. Aarhus University, Denmark.
03/26/2018
German Films in Brazil: A Transnational Approach. Researching Past Cinema Audiences conference, Department of Theatre, Film and Television Studies, Aberystwyth University, United Kingdom.
9/12/2017
Die Geschäfte der Ufa in Brasilien [Ufa’s business in Brazil]. Die UFA – 100 Jahre Film, Wirtschaft und Politik, German Historical Museum (DHM), Berlin, Germany.
18/10/2017
Modernidade e a nova vida: Brasil no Cinema alemão nos anos 1950/60 (Modernity and a New Life: Brazil in German Cinema of the 1950/60s). XXI Encontro Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE) 2017, 18-21 de outubro, Joao Pessoa, Brazil.
02/03/2017
Introduction to Africa Addio (Gualtiero Jacopetti, Franco Prosperi, IT 1966), together with Mathias Uhlmann (Zurich), Royal Scandal Cinema, Baden, Switzerland.
8/12/2016
LUPA Film & Dialogue: Un Cuento Chino (S. Borensztein, ARG 2011), Center for Intercultural Competence, University of Göttingen, Germany.
29/10/2016
Introduction to La Sirga (William Vega, COL/FR/MEX, 2012). Colombian film cycle/kino-toni, Zurich, Switzerland.
26/10/2016
Introduction to Die Rache der Afrikanerin (Ernst Wendt, D 1922). German Historical Museum/Zeughauskino (DHM), Berlin, Germany.
25/10/2016
Early German Colonial Short Film Programme. German Historical Museum/Zeughauskino, Berlin, Germany.
25/10/2016
The Transnational in German Films of the 1960s, M.A. Seminar: Film Culture Heritage, Filmuniversität Babelsberg Konrad Wolf, Potsdam, Germany.
21/10/2016
Alemanha-Brasil: Uma historiografia do cinema transnacional. [Germany-Brazil: A transnational film historiography], XX Encontro Sociedade Brasileira de Estudos de Cinema e Audiovisual (SOCINE), Curitiba, Brazil.
13/10/2016
Por uma historiografia transnacional [For a transnational historiography], História da Arte, Universidade Federal de São Paulo (UNIFESP), Brazil.
06/10/2016
Imaginarios de América Latina: Die mediale Konstruktion von Vorstellungen über Lateinamerika [Imaginarios de América Latina: Media representation of Latin America]. Catholic Academic Service for Foreigners (KAAD), Lingen (Ems), Germany.
30/09/2016
Introduction to Der Weg nach Rio (Manfred Noa, D 1931). German Historical Museum/Zeughauskino, Berlin, Germany.
18/05/2016
Transnationale Filmgeschichte schreiben [Writing Transnational History]. Department of Film Studies, University of Zurich.
01/04/2016
“Wo man singt, da lass dich nieder”: Musik und Gesang in deutschen Brasilienfilmen [Where People sing, settle down”: Music and vocals in German Brazilian films]. 29. RADIO JAZZ RESEARCH Tagung, Kiel, Germany.
11/11/2015
Deutschland – Brasilien: Einmal hin und zurück: Eine Reise zum transnationalen Kino [Germany – Brazil/Back and Forth, A Transnational Journey]. Department of Film Studies, University of Zurich.
30/09/2015
Cadê o publico? – Pesquisando o espectador do cinema dos primordios [Where is the audience? Researching the viewer in early cinema]. Departamento de Cinema, Rádio e Televisão, São Paulo, Brazil.
29/09/2015
Alemanha-Brasil: Ida e Volta: uma viagem no cinema transnacional [Germany – Brazil/Back and Forth, A Transnational Journey]. Departamento de Cinema, Rádio e Televisão, University of São Paulo, Brazil.
24/07/2014
Writing Transnational Film History. The Cinematic Space: Experience, Knowledge, Technology. University of Hamburg, Germany.
21/06/2014
Writing Transnational Film History. Creative Energies, Creative Industries: The NECS 2014 Conference, Milan, Italy.
30/05/2014
Introduction to Land und Leute in Südamerika (Hapag, D 1929). Film Retrospective on German-Brazilian Film Relations, German Historical Museum/Zeughauskino, Berlin, Germany.
23/05/2014
Introduction to O Retrato da Alemanha (Ed Keffel, BR 1953). Film Retrospective on German Brazilian Film Relations, German Historical Museum/Zeughauskino, Berlin, Germany.
19/05/2014
Introduction to Treze Cadeiras (Francisco Eichhorn, BR 1957). Film Retrospective on German Brazilian Film Relations, Ibero-American-Institute, Berlin, Germany.
04/05/2014
Introduction to Auf Expedition am Amazonas [On Expedition in the Amazon Region]. Film Retrospective on German Brazilian Film Relations, German Historical Museum/Zeughauskino, Berlin, Germany.
26/04/2014
Postkoloniale Leerstellen der Filmgeschichte. Deutsches Wirtschaftswunderkino der 1950/60er Jahre [Postcolonial Gaps in Film History. The German Wirtschaftswunder-Cinema of the 1950/60s]. Grenzspuren und De-präsentationen – Postcolonial Studies als Medientheorie. Ruhr-University Bochum, Germany.
21/11/2013
Introduction to Safari- Negresco Schimpansi [Safari-Negresco Schimpansi]. Lichtspiel Bern, Switzerland.
03/10/2013
Transnationale Filmgeschichte(n) schreiben [Writing Transnational Film Histories]. Jahrestagung der Gesellschaft für Medienwissenschaft (GfM), Leuphana-University, Lüneburg, Germany.
07/05/2013
Liegt Schröder in Brasilien oder Rio an der Spree? Eine transnationale Filmgeschichte zwischen Brasilien und Deutschland [Is Schröder in Brazil or Rio at the River Spree? A Transnational Film History of Brazil and Germany]. Bauhaus-University, Weimar, Germany.
09/02/2013
Kolonialismus im frühen Kino als Infotainment für gehobene Kreise. Die Rezeption früher kolonialer Filme im Deutschen Reich [Colonialism in Early Cinema as Infotainment for the Upper Class. The Reception of Early Colonial Films in the German Reich]. 3 Schweizerische Geschichtstage, University Fribourg, Switzerland.
05/10/2012
Frühe deutsche ethnographische Filme: Eine ʻungewollteʼ historische Edition?, [Early German Ethnographic Films. An Undeliberate Historical Edition?]. Jahrestagung der Gesellschaft für Medienwissenschaft (GfM), Johann Wolfgang Goethe-University, Frankfurt, Germany.
21/09/2012
Kino erfahren: Über Aufführungsorte und Zuschauer [Cinema Experience: On Exhibition Venues and Audiences]. DFG Netzwerk, Erfahrungsraum Kino, University of Zurich, Switzerland.
22/06/2012
Listening the Image: Ethnographic Film’s Long Beginning. “Performing New Media, 1890-1915”, Twelfth International DOMITOR Conference, University of Brighton, United Kingdom.
22/03/2012
ʻFast wie daheimʼ, Filme aus den Kolonien im frühen deutschen Kino [ʻAlmost like Homeʼ, Films From the Colonies in Early German Cinema]. Schwarzweißes made in Germany. Das Afrikabild im deutschen Dokumentarfilm, Linden-Museum, Stuttgart, Germany.
13/03/2012
Und immer wieder ʻKongo Müllerʼ. Postkoloniale Geschichtsdarstellung im Deutschen Fernsehen. [Ever and Anon ‘Kongo Müller’. The Representation of Postcolonial History in German Television]. 25. Film- und Fernsehwissenschaftliche Kolloquium. University Erlangen-Nürnberg, Germany.
12/03/2011
Ethnographie re-visited: eine quellenkritische Annäherung an frühes ethnographisches Filmmaterial [Ethnography Re-visited: A Critical Analysis of Early Ethnographic Film Footage]. Jubiläumsveranstaltung, 20 Jahre Cinegraph Babelsberg, Deutsches Historisches Museum, Berlin, Germany.
05/11/2011
Introduction to Befreien Sie Afrika! [Free Africa!]. (Martin Baer, D 1998), Neues Kino, Basel, Switzerland.
03/05/2011
Koloniale Bilderträume – Afrika im frühen Kino [Colonial Reverie – Africa in Early Cinema]. History Department, University Lucerne, Switzerland.
31/03/2011
Phonograph und Kinematograph in der Ethnographie: Wie der Film zum Ton kam [The Phonograph and the Cinematograph in Ethnography: How Film Came to Sound]. 24. Film- und Fernsehwissenschaftliches Kolloquium, University of Zurich, Switzerland.
12/14/2010
Überlegungen zu einer ’teuto-brasilianischen’ Filmgeschichte. [Reflections on a ‘Teuton-Brazilian’ Film History]. Forschungskolloquium, Lehrstuhl für Geschichte und Ästhetik der Medien, Friedrich-Schiller-University Jena, Germany.
23/10/2010
Filmische Secondos: quellenkritische Annäherung an frühes ethnographisches Filmmaterial [Filmic Secondos: A Critical Analysis of Early Ethnographic Film Footage]. Memoriav Kolloquium, ZHdK Zürich, Switzerland.
07/10/2010
Weimar in Brazil, or the Case of the Ufa Porn Movies. Transnational Ufa. German Studies Association Conference, Oakland, USA.
05/10/2010
The Ufa Universe: German Cinema in Brazil. University of Connecticut, USA.
04/10/2010
Weimar Cinema in Brazil: Ufa’s Transnational (Ad-)Ventures. Amherst College, Massachusetts, USA.
14/06/2010
Transnational Public Spheres. Eleventh International DOMITOR Conference 13–16 June 2010, Ryerson University/University of Toronto, Canada
28/05/2010
Weimar no Brasil: Estratégias de apropriação cultural de filmes alemães nos anos 20 e 30 [Weimar in Brazil: Strategies of Appropriation of German Kulturfilme in the 1920s and 1930s]. America Latina (in)dependiente. La Region en el contexto global, 1810-2010. Congreso 2010 de la ADLAF, Eschborn, Germany.
07/05/2010
Öffentlichkeit-TransNational [The Public Sphere–TransNational]. Workshop Early Cinema, Media Studies, University of Trier, Germany.
18/03/2010
Ein Blick zurück nach vorn – Brasilien, die neue Supermacht. [Looking Back Ahead. Brazil the New Superpower]. 23. Film- und Fernsehwissenschaftliches Kolloquium, University of Hildesheim, Germany.
24/11/2009
Introduction to Safari- Negresco Schimpansi [Safari-Negrsco Schimpansi]. Lichtspiel Bern, Switzerland.
06/06/2009
‘Filmheil!’ Kultur- und Spielfilmvertrieb in Brasilien. [Filmheil! The Distribution of Kultur- and Fiction Films in Brazil]. Schlachtfeld, Bildungsstätte, Traumfabrik. Film und Kino in der Weimarer Republik. Deutschen Historischen Museum, Berlin, Germany.
10/03/2009
Kulturfilm transnational: Deutsche Filme im Ausland, Brasilien 1930. Skizzierung eines Forschungsprojekts. [Kulturfilm Transnational. German Films Abroad, Brazil 1930. Outlining a Research Project]. 22. Film- und Fernsehwissenschaftliches Kolloquium, University of Passau, Germany.
25/10/2008
The Colonies in Motion: German Colonial Cinematography. German Historical Institute London, United Kingdom.
21/10/2008
German Colonial Cinematography: History and Motifs. History Department, University of Basel, Switzerland.
22/08/2008
The German Cinema After Reunification. Example: Hans Weingärtner’s The Educators. Goethe Institute Bogota, Colombia.
30/07/2008
O cinema Teuto-Brasileiro [Teuton-Brazilian Cinema]. Departamento de Cinema e Vídeo, UFF – Universidade Federal Fluminense, Niteroi, Brazil.
13/01/2008
Kolonialismus und Film im Ersten Weltkrieg [Colonialism and Film WWI]. Kunstraum Kreuzberg/Bethanien, Berlin, Germany.
29/11/2007
‘Nanook – very nice!’: Ethnographic film practices in silent German cinema. American Anthropological Association, Washington D.C., USA.
15/10/2007
Rethinking Contemporary German Cinema. The German Film Festival & Symposium. Peter Wall Institute, University of British Columbia, Vancouver, Canada.
19/09/2007
German Colonial Cinema. The Department of Central, Eastern and Northern European Studies, University of British Columbia, Vancouver, Canada.
09/09/2007
Patriotism, Spectacle, and Reverie: German Colonialism Goes to the Movies. International Interdisciplinary Conference on German Colonialism and Post-Colonialism, San Francisco, USA.
21/07/2007
From the Modern Colony to the Colonial ‘Heimat’. IAMHIST 2007 Conference: Media and Imperialism. Amsterdam, The Netherlands.
04/07/2007
Images of Brazil in Popular German Cinema of the 1950s and 1960s. Intertextualtiy and Cross-Media Influences in Brazilian Cinema. University of Southampton, Great Britain.
31/03/2007
Imágenes de Latinoamérica en el cine alemán de los años 1950 y 1960 [Images of Latin America in the German Cinema of the 1950 and 1960s.]. Cine-Club, Error Films, BMFS, Bello, Colombia.
28/03/2007
Imágenes de Latinoamérica en el cine alemán de los años 1950 y 1960 [Images of Latin America in the German Cinema of the 1950s and 1960s]. Universidad Pontificia Bolivariana, Medellin, Colombia.
19/12/2006
Kolonien in Bewegung: Zur Geschichte der deutschen Kolonialkinematographie [Colonies in Motion: On the history of German Colonial Cinematography]. Institut für Ethnologie und Afrikastudien, University of Mainz.
8/12/2006
The Aesthetics of Prison-of-War-Camp Films in Early Cinema. Doing Anthropology in wartime and war zone. International Interdisciplinary Conference, University of Tübingen, Germany.
05/102006
Ethnographie und Film in Deutschland: Anmerkungen zu einem vergessenen Teil deutscher Mediengeschichte. [Ethnography and Film in Germany: Notes on a Forgotten Chapter in German Media History]. Jahrestagung der Gesellschaft für Medienwissenschaft (GfM), Haus des Dokumentarfilms, Stuttgart.
02/10/2006
’What it Means to Write a History of the Ethnographic Film. New Perspectives on the Beginning of German Ethnographic Filmmaking’. Department of Anthropology, University of Vermont, USA.
29/09/2006
(Post)-colonial images in West-German cinema of the fifties and sixties. GSA Conference 2006, Pittsburgh, USA.
15/07/2006
Edle Wilde und filmische Offenbarung. Die Südseefilme des Baron Victor von Plessen [Noble Savages and Cinematic Revelation. The South Seas Films of Baron Victor Von Plessen]. Symposium: Die Ethnographen des letzten Paradieses. Victor von Plessen und Walter Spies in Indonesien. Johann Wolfgang Goethe-University, Frankfurt am Main, Germany.
30/05/2006
The National and the Local in Early German Ethnographic Film History. Ninth International DOMITOR Conference, 2006. University of Michigan, Ann Arbor, USA.
15/03/2006
Geschichte des ethnographischen Films in Deutschland. [The History of the Ethnographic Film in Germany]. 19. Film- und Fernsehwissenschaftliches Kolloquium, Georg-August-University Göttingen, Germany.
05/02/2006
Filmeinführung Allein im Urwald [Introduction to Allein im Urwald]. (Ernst Wendt, D 1922). 12. Africa Alive Festival. Filmmuseum Frankfurt, Germany.
29/01/2006
Geschichte der Kolonialkinematographie [The History of Colonial Cinematography]. Lecture and programing of ’Early films from the colonies’, 12. Africa Alive Festival. Filmmuseum Frankfurt, Germany.
26/01/2005
Koloniale ’Ansichten’ – Frühe Filme aus den Kolonien [Colonial ’Views’ – Early Films From the Colonies]. Kommunales Kino Freiburg, Germany.
24/10/2004
Koloniale ′Ansichten’ – Frühe Filme aus den Kolonien [Colonial ′Views’ – Early Films From the Colonies]. Metropolis Kino Kinemathek Hamburg, Germany.
15/10/2004
Die filmische Darstellung des Herero Kriegs im frühen deutschen Kino [Representation of the Herero War in Early German Cinema]. International Conference: Colonial and Postcolonial Constructions of Africa and Blacks in German Popular Culture, Königswinter-Bonn, Germany.
11/09/2004
Drehort Deutsch-Südwest Afrika. Kolonialgeschichte als Filmgeschichte [Location: German-Southwest Africa: Colonial History as Film History: Films from German South-West Africa]. Filmhaus Köln, Germany.
13/07/2004
Der frühe nichtfiktionale Film als Forschungsgegenstand: Das Beispiel deutsche Kolonialkinematographie [Studying Early Nonfiction Film: German Colonial Cinematography]. IAG-Kulturforschung, University of Kassel, Germany.
05/07/2004
Post-Colonial Images in Weimar Cinema: Hans Schomburgk’s Ein Weisse unter Kannibalen. Cinema Ritrovato, Bologna, Italy.
23/06/2004
Local Entertainment and National Patriotism: The Distribution of Colonial Films in Germany. Eighth International DOMITOR Conference, 2004. Utrecht University, Netherlands.
25/03/2003
Deutsche Kolonialkinematographie [German Colonial Cinematography]. 16. Film- und Fernsehwissenschaftliches Kolloquium, Philipps-University Marburg, Germany.
27/02/2003
German Colonial Cinematography in Africa. Africa Study Center, University of Leiden, the Netherlands.
06/07/2002
German Colonial Cinematography: Colonial Representation in Early Film. First International African Film and History Conference, Cape Town, South Africa.
06/10/2001
Deutsche Kolonialkinematographie in Afrika: Eine Untersuchung zur Erforschung des frühen nichtfiktionalen Films [German Colonial Cinematography in Africa: Historical Research of the Exploration of Early Nonfiction Film]. Jahrestagung des Fördervereins der Forschungsstiftung für vergleichende Europäische Überseegeschichte, PH Ludwigsburg, Germany.
Invited Guest Lectures in University Courses:
18/04/2023
Experiencias locales y estudios de caso: Colombia: Memoria del conflicto armado a través del cine y del documental. [Local experiences and case studies: Colombia: Memory of the armed conflict in film and documentaries]. Master Class, Política, sociedad y cultura en América Latina. Estudios de la memoria, pasados de violencia y derechos humanos. Especialidad en Estudios Latinomericanos (Dra. Ulrike Capdepón). Programa de Maestria en Ciencias Sociales, Universidad de Guadalajara, Mexico.
05/05/2018
One-day-workshop: Cine y nación [Film and Nation]. Master Class, Maestría en Creación y Estudios Audiovisuales (Prof.ª María Fernanda Arias Osorio), Universidad de Antioquia, Medellín, Colombia.
25/10/2016
The Transnational in German Films of the 1960s, M.A. Seminar: Film Culture Heritage (Dr Philipp Stiasny), Filmuniversität Babelsberg Konrad Wolf, Potsdam, Germany.
15-16/09/2015
Do Cinema Nacional ao Transnacional, Laboratório de Imagem e Som (Prof.ª Márcia Ramos de Oliveira), Universidade do Estado de Santa Catarina-UDESC.
06/05/2013
The New Cinema History, BA Course “Film History”(Dr. Simon Frisch), Bauhaus University Weimar, Germany.
14/05/2013
Visual Anthropology, BA Course “Introduction to Ethnology (Methods)” (Prof. Kerstin Hadjer), Department of Social and Cultural Anthropology, University of Zurich.
29-30/03/2007
Türkisch-Deutsche/Deutsch-Türkische Biographien in Fatih Akins Gegen die Wand (D 2003/04) [Turkish-German/German-Turkish Biographies in Fatih Akin’s Head On (D 2003/04)]. Two Courses, Colegio Alemán (German School) Medellín, Colombia.
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